Taylor Swift’s The Life of a Showgirl was claimed to be a glamorous record meant to be an ode to the titular life of a showgirl. But instead, the album is littered with millennial-cringe-inducing attempts at satirical relevance, fictional stories that abandon poetry for awkward narrative prose, and attempts to write about her real life that result in a flaming pile of bitterness and a series of thinly-veiled phallic innuendos.

Maude Latour is in love. It’s in every note, every word, every thread sewn into this album. This reflects the record itself: messy,...

Doja Cat has always been a troll. This is her first record that truly reflects that. For those who haven’t followed, Doja has recently been engulfed in a swarm of controversy above her usual levels. She’s lost a million followers on Instagram and legions of her fan base after a series of tweets about their relationship. What started as replying to a fan asking her to say she loved them eventually led to her accusing her fans (especially those most devoted) of needing to get a

In Feburary as part of my application to the School of The New York Times, I wrote a review of Taylor Swift's "Midnights." I got in.